Esplanade Presents

Theatre

Tall Tales: Bananas & Ang Ku Kuehs

An Esplanade Co-commission
The Finger Players X Shakespeare’s Wild Sisters Group (Singapore, Taiwan)

6 Mar 2026, Fri, 8pm

7 Mar 2026, Sat, 3pm & 8pm

8 Mar 2026, Sun, 3pm

1hr 30mins

(Intermission: None)

Esplanade Theatre Studio

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Synopsis

Fear slithers into a snake, glimmering with scales.
Pain exists like a fish, sinking into the depths of the ocean.
Waiting takes the form of an orangutan, climbing the cursed tree.

 

Humans become objects, and objects remember the tongues of humans.
Love and jealousy, trust and betrayal, greed and desire—
Within each tale, they moult and transform, reborn into new shapes of life.

 

This is a transformation of stories.
Imagination giving birth to stories,
Stories nesting within stories,
Weaving, coupling, multiplying and renewing themselves.
Between one narrative and the next,
New beginnings and endings emerge,
Ever continuing, never complete.

 

Following Blood and Rose Ensemble (2018), Oliver Chong of Singapore’s The Finger Players and Wang Chia-Ming of Taiwan’s Shakespeare’s Wild Sisters Group reunite for Tall Tales: Bananas and Ang Ku Kuehs.

 

This is a cross-cultural creation inspired by The Decameron, where folk legends from two islands intertwine into a layered tapestry of live performance and puppetry.

 

The stage is a ruin, a world built from white plastic bags, cardboard, and discarded remnants. Among the piles of waste, forgotten memories and myths are unearthed, sorted, and pieced together anew. From The Snake Prince to Princess Tailan, from snake to monkey, from bananas to ang ku kuehs, stories sprout, mutate, and are reborn, becoming strange new bodies where myth, matter, and mortality intertwine.

 

Tall Tales is not a retelling of old myths, but a meditation on what lies beneath them, the fragile coexistence between human and nature, story and survival. When two island cultures meet across the sea, their stories migrate, adapt, and take root in one another, revealing how we tell the world into being, and how, in uncertain times, we reimagine, rebuild, and reinvent ourselves through stories.

 

Tall Tales: Bananas & Ang Ku Kuehs is commissioned by Esplanade – Theatres on the Bay and Taipei Performing Arts Center, and co-produced by The Finger Players (Singapore) X Shakespeare’s Wild Sisters Group (Taiwan).

Accessibility

Assistive Listening

Advisory:

This production contains mature content and use of coarse language, recommended for ages 16 and above.

 

There will be a post-show dialogue conducted in Mandarin on 6 & 7 Mar, 8pm.

Recommended Age: 16 and above.
Admission Age:
13 and above.
Language: Mandarin, with some Minnan Dialect
Surtitle Language: English
Things to Note:
Accessibility: All our venues are wheelchair-accessible. We offer various services to support patrons with access needs. For assistance, please contact Esplanade Customer Experience at 6828 8377. Concessions are available for Persons with Disabilities (PWDs) and one accompanying companion. To learn more, read our accessibility guide.
Ticketing: Prices exclude ticketing agent’s booking fees. Entry to performance venues is granted to patrons with tickets that have been purchased through authorised ticket agents only. Read about ticketing or check our FAQs.
For information about late seating, photography and more, please read our general advisory.
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Artist Information

Oliver Chong (Singapore) | Co-Playwright and Director

Oliver Chong is a multi-award-winning and published playwright, director, actor, puppeteer, and set and puppet designer. His extensive wins and nominations at The Straits Times Life! Theatre Awards span Production of the Year, Best Director, Best Script, Best Actor, Best Supporting Actor, Best Ensemble and Best Set Design.

 

His works have been featured at international festivals in Paris, Myanmar, Barcelona, Budapest, Ankara, Bangkok, Taiwan, Hong Kong, Japan, and Malaysia.

 

Oliver was the Resident Director of THE FINGER PLAYERS (2004 – 2018), and is currently the Artistic Director of the company. His published works include Roots, The Book of Living and Dying, I’m Just A Piano Teacher and Cat, Lost & Found. Roots was also read and staged in New Zealand by Proudly Asian Theatre in 2018.

Wang Chia-ming (Taiwan) | Co-Playwright and Director

Wang Chia-ming, founder and director of Shakespeare's Wild Sisters Group, has been working on experimental theatre for years and has always kept his creative works a fusion of tradition and innovation, a daring integration of popularity and avant-garde.

 

He is also absorbed in probing the possibilities of new expressions on languages, performance and audio/voice in theatre through cooperation with artists from across genres. With the experiment of empty space and the use of voice, he forces performers to explore, to embrace and to deliberate on the possibilities of theatre, thereby creating a unique style in contemporary Taiwanese theater. His works have twice won the Taishin Arts Awards: the First Prize of Performing Arts and Jury's Special Award. In 2019, his work Dear Life was invited by the Festival d'automne à Paris, and it was the first Taiwanese contemporary theat re work presented by the festival.

The Finger Players (Singapore)

Website | Instagram | Facebook

The Finger Players is one of Singapore’s leading theatre companies, best known for inventively fusing traditional and contemporary puppetry elements, and integrating other artistic disciplines into its visually arresting productions.

 

Founded in 1999, The Finger Players is Singapore’s oldest contemporary puppetry theatre company. Since its inception, it has been invited to perform in Africa, Australia, Spain, Paris, Japan, Hungary, South Korea, China, Hong Kong, Taiwan, and Thailand, to name a few, making it one of Singapore’s most prolific international touring companies.

 

The Finger Players is a non-profit organisation with Institution of Public Character (IPC) status and a recipient of the National Arts Council’s Major Company Scheme.

Shakespeare’s Wild Sister Group (Taiwan)

Website | Instagram | Facebook

Founded in the summer of 1995, Shakespeare's Wild Sisters Group (SWS) owes its name to the fictional character in Virginia Woolf’s novel A Room of One’s Own, meaning to liberate women’s talents from the oppression of patriarchy. Limiting itself to no specific issues or conventional aesthetics, SWS takes materials from all arts inspiring to create original theatrical works.

 

Through collective exploration, the troupe continually seeks its own distinctive theatrical language and style. In addition to presenting new experimental works and engaging in artistic and cultural exchanges both locally and internationally each year, it also remains dedicated to nurturing creative platforms, promoting arts education, and participating in cultural policy.

Assistive listening icon

Assistive Listening

Assistive listening system is available for this venue. Hearing aid users with a Telecoil-enabled programme can benefit from the system provided. Please arrive at the venue 30 min before the performance so we can assist with the setup.

Date & Time

Assistive Listening

6 Mar 2026, Fri

8pm

Esplanade Theatre Studio

There will be a post-show dialogue conducted in Mandarin.

7 Mar 2026, Sat

3pm

Esplanade Theatre Studio

8pm

Esplanade Theatre Studio

There will be a post-show dialogue conducted in Mandarin.

8 Mar 2026, Sun

3pm

Esplanade Theatre Studio
Tickets & Prices
Standard

Students, NSFs, Seniors & PWDs
(Limited)

Price $48 $40

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Tote Board Arts Grant

All Junior Colleges/ Centralised Institute & ITEs may use the Tote Board Arts Grant to subsidise up to 50% of the programme cost.

For more details, please contact Esplanade Box Office at 6828 8389 or email boxoffice@esplanade.com.

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This event is eligible for SG Culture Pass credits, starting from 10 December 2025.

 

Select ‘SG Culture Pass’ as your payment option on the ‘Shopping Cart’ page. Visit SG Culture Pass for more information.

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