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PopLore #4: Singapore Indian pop transcends the music of Indian cinema

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PopLore #1: Origin stories

Published: 10 Mar 2022
Updated: 27 Nov 2025
Time taken: >15mins

PopLore: Stories of Singapore Pop

PopLore #4: Singapore Indian pop transcends the music of Indian cinema

How these musicians pushed the limits of movie songs

Music
10 Mar 2022
27 Nov 2025
>15mins

Download the full transcript here

PopLore #4 - Full Transcript

PDF • 180.47 KB

PopLore #4: Singapore Indian pop transcends the music of Indian cinema

Singapore’s Indian pop is very much influenced by the uniquely musical nature of Indian cinema. In this episode, we explore why music plays such a powerful role in this film industry, and how different music-makers here have responded to its pervasive sounds and practices.

In the 1980s, musician Md Raffee collaborated with producer Reggie Verghese (once the legendary lead guitarist of The Quests, the reigning English-language pop band of 1960s Singapore), on his debut album. Raffee had honed his craft through exposure to a wide range of music within and beyond Singapore, and come up with a fusion sound that was entirely his own.

His music was not just different stylistically, but also in the way it was recorded. As Raffee explains: “You could hear the depth of the recording, which was normally not there in the Indian-made recordings in cinema, because they had different bandwidth. And they were focusing on more of the vocals for the heroes and everything else was compressed.”

Listeners in Singapore and India at the time did not take to his unique experimentation, although the fusion style popularised by Indian music director AR Rahman later changed things on that front. But pushing against the limitations of Indian movie songs remains an ongoing endeavour.

Hear singer-songwriters Shabir and Suthasini explain how they are championing independent music by exploring new marketing and distribution channels, and taking on themes and issues that are rarely tackled in film songs.

The music of Indian cinema is still very popular today, and the creativity, resources and reach of this industry has attracted many musicians, including Raffee, Shabir and Suthasini. Still, their stories illustrate an inspiring instinct across generations to push against the grain and create a sound of our very own.

This episode also features singer V. Suriamurthi, and it is narrated by Esplanade programmer David Pandarakannu.

PopLore: Stories of Singapore Pop, produced by Hong Xinyi and Dorothy Ding, is commissioned by Esplanade as part of PopLore: A Year of Singapore Popular Music in celebration of its 20th anniversary in 2022.

Song Credits

Nilave Poochoodava
Artist: Mohamed Raffee
Composer and Publisher: Mohamed Raffee
Usage of the song is courtesy of Mohamed Raffee

Thiruppugazh
Artists: Bombay Jayashri & Abhishek Raghuram
Composer: Lalgudi Jayaraman
From Guru Vandanam – To Sir With Love, Kalaa Utsavam – Indian Festival of Arts, Esplanade Concert Hall, 25 Nov 2016

Aayizhai
Artist: Shabir
Composer and Lyricist: Shabir
Sound Recording Owner: Shabir Music Asia Pte Ltd
Usage of the song is courtesy of Shabir Music Asia Pte Ltd

Thalavali
Artist: Suthasini
Composer, Lyricist and Publisher: Suthasini
Usage of the song is courtesy of Suthasini

About the narrator and artists

Listen to the music mentioned in this episode.

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PopLore #4: Singapore Indian pop transcends the music of Indian cinema | Offstage | Artist interviews,Pop / Rock music,Singapore musicians,Singapore composers | PopLore | PopLore: Stories of Singapore Pop
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