

PopLore #7: The future of Singapore pop

PopLore #6: New wave, new sounds

PopLore #5: "Barbarous music of this kind"

PopLore #4: Singapore Indian pop transcends the music of Indian cinema

PopLore #3: Threads that tie Singapore Malay pop

PopLore #2: Chinese pop in Singapore and abroad

PopLore #1: Origin stories
PopLore: Stories of Singapore Pop
PopLore #2: Chinese pop in Singapore and abroad
Artful adaptations
PopLore #2: Chinese pop in Singapore and abroad
Standing out while fitting in—that’s what the creators of Singapore’s Chinese pop music have been doing for decades as they try to make their mark in the larger markets of Hong Kong and Taiwan. And it hasn’t always been easy.
In this episode, songwriter-producer Billy Koh recounts his experience of working with singer Kit Chan in the 1990s as they tried to crack the Taiwan market. From her limited fluency in Mandarin then to the way Western alternative music influenced her debut album, there were many reasons for Taiwan’s music industry honchos to be sceptical about the commercial viability of this Singapore team.
To overcome these challenges, it took a boost from Singapore record producer Jimmy Wee (a well-known champion of homegrown music) and a hit song from Billy that threaded the needle of striving for mass appeal while sounding just different enough.
With that song, Heartache, Kit kicked off a golden age where Singaporean pop stars and songwriters flourished in the greater Chinese market. And to do that, they had to continue staying true to what kept them unique, while assessing how to connect with listeners in Taiwan and Hong Kong. Hear from songwriter-producer Li Si Song about how he honed these instincts, which helped him to craft Stefanie Sun’s first hit song, Cloudy Day.
In fact, the makers of Singapore’s Chinese pop learned to believe in their distinctive approach long before the 1990s. Musician John Teo explains how Singapore’s multi-cultural environment shaped his band, The Stylers—a highly sought-after getai and session band that worked with numerous local and regional artists beginning in the 1960s. Singer Lisa Wong shares how she was impacted by Western pop and local pop stars like Sakura Teng and Rita Chao, and her experience of venturing into the Hong Kong market in the 1970s. And, of course, the xinyao pioneers of the 1980s, such as Billy, changed the game when they started writing their own songs.
This embrace of the specificity of the Singaporean perspective is the key to making an impression, and making waves. As Billy puts it, “We can't change the external environment, but what you can change is your perspective. If you can build some kind of energy within yourself, then with this energy, you can radiate to the people who believe in you. And when more people believe in you, you can change the world.”
This episode is narrated by Esplanade producer Desmond Chew, and also features music writer Chen Yuneng, music industry veteran Lim Sek and entertainment journalist Alice Kwan. Some of the soundbites in this episode are in Mandarin and Cantonese, and these have been translated in the narration.
PopLore: Stories of Singapore Pop, produced by Hong Xinyi and Dorothy Ding, is commissioned by Esplanade as part of PopLore: A Year of Singapore Popular Music in celebration of its 20th anniversary in 2022.
More to explore
Freshmusic's article on the evolution of pop music in Singapore and Malaysia (in Chinese)
The Songs We Sang, a documentary about the xinyao movement
Song credits
《我們的歌在哪裡》Where Are Our Songs
Artist:水草三重唱
Lyricist and Composer:梁文福 Liang Wern Fook
Publisher: 大石音乐版权私人有限公司 Touch Music Publishing Pte Ltd
Usage of the song courtesy of 海蝶音乐私人有限公司 Ocean Butterflies Music Pte Ltd and Touch Music Publishing Pte Ltd.
《天黑黑》 (Tian Hei Hei)
Artist: Stefanie Sun
Original Composer: Li Si Song, Liao Ying Ru, Wu Yi Zheng
Original Publisher : Warner Chappell Music, Hong Kong Limited (Taiwan Branch)
Sub-Publisher : Warner Chappell Music Singapore Pte. Ltd.
Usage of the song is courtesy of Warner Music Singapore Pte Ltd, Warner Chappell Music Singapore Pte Ltd, Universal Music Pte Ltd and BMG Pte Ltd.
