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PopLore #6: New wave, new sounds

PopLore #5: "Barbarous music of this kind"

PopLore #4: Singapore Indian pop transcends the music of Indian cinema

PopLore #3: Threads that tie Singapore Malay pop

PopLore #2: Chinese pop in Singapore and abroad

PopLore #1: Origin stories
PopLore: Stories of Singapore Pop
PopLore #1: Origin stories
How Singapore pop came to be
PopLore #1: Origin Stories
Making music at a cultural crossroads
PopLore is a seven-episode narrative podcast series about Singapore pop. And in this first episode, we kick things off with a big question—what exactly is Singapore pop?
Do pop songs performed by Singapore artists but created elsewhere count? How about pop songs composed here, but performed by artists in other countries? What about the songs that are created and performed by Singaporeans, but mainly popular in other cultures? And what about the songs left behind by those passing through this port city, on their way to somewhere else? What about the songs we no longer really remember? Are these all Singapore pop?
Long before we even get to the idea of whether there is a Singapore sound, these are the questions that arise when considering the popular music of a highly porous island nation that is always looking forward to the next trend, the next wave, the next twist of fate.
As you might expect, the singers, musicians, composers and producers we spoke to for this series have a lot to say about the character and potential of Singapore pop. For now, we’ll focus on a period of time before Singapore became an independent country in 1965, and how the first creative inclinations of receptivity to the new and an affinity for remixing different influences took shape.
Waves of regional migration and colonialism gave rise to a uniquely diverse soundscape. Early forms of entertainment —from the cabarets and song stages of amusement parks to the hybrid melodies crooned by homegrown movie stars—brought this mingled music to new heights. Meanwhile, puritanical impulses gave rise to movements that took aim against the perceived decadence of pop music, even as pragmatism reined in these campaigns. Then, in 1961, a seismic event—a concert by UK rock and roll royalty Cliff Richard & The Shadows convinced a generation of budding musicians in Singapore to join the pop revolution. These are the opening notes of Singapore pop.
This episode is narrated by music industry veteran Lim Sek, and features singer-songwriter Shabir, musician Rudi Salim, writer CT Lim, entertainment journalist Alice Kwan, singer-songwriter Art Fazil, singer Rahimah Rahim, broadcaster Brian Richmond, Lawrence Lee of The Checkmates, and John Chee and Raymond Ho of The Crescendos. Some of the soundbites in this episode are in Mandarin, and these have been translated in the narration.
PopLore: Stories of Singapore Pop, produced by Hong Xinyi and Dorothy Ding, is commissioned by Esplanade as part of PopLore: A Year of Singapore Popular Music in celebration of its 20th anniversary in 2022. Available on Esplanade Offstage, Spotify, Apple Podcasts and melisten.
PopLore #1: Origin Stories
Articles at MusicSG, a digital archive of Singapore music


