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Esplanade Presents
4 Oct 2024, Fri, 7.30pm
5 Oct 2024, Sat, 7.30pm
6 Oct 2024, Sun, 3pm
(Intermission: None)
Singtel Waterfront Theatre at Esplanade
This event is over.
This event is over.
After eight years, one of the world’s most well-known butoh companies returns to Esplanade with their latest work, TOTEM – Void and Height.
Carrying on the legacy of the company’s acclaimed founder and choreographer Ushio Amagatsu, who passed away in March 2024, Sankai Juku presents his last choreographic work. TOTEM bears all the hallmarks of an Amagatsu work: minimalist yet elegant; a stunning visual spectacle created by the performers’ spellbinding physicality.
One of the world’s most influential and respected dance choreographers, Amagatsu created moving works of art for close to 50 years, each one anchored in deeply universal themes of birth, death, and the relationship between the body and gravity, as well as between gravity, earth and the environment. This is a chance for both fans of butoh and new audiences to experience the final piece of the choreographer’s artistry, a work that at once challenges your senses and welcomes you into a world of heightened beauty.
“There are several definitions of what a totem is. It can be a specific object that functions as a mark or a symbol of a certain group, tribe or blood relations, and in some cases, it can be a wild animal or a wild plant. The subtitle this time, Void and Height, was chosen as a concept inspired by a particular work of stage art created by Natsuyuki Nakanishi. It refers to the space that rises between four places.” – Ushio Amagatsu
The international premiere of this work is presented as part of da:ns focus – Connect Asia Now (CAN), a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region.
Production Credits
Direction, Choreography and Conception by Ushio Amagatsu
Set by Natsuyuki Nakanishi from Quartet -- Series X of Touching Down on Land and Touching Down on Water
Music by Takashi Kako and Yoicihro Yoshikawa
Performed by Semimaru, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Taiki Iwamoto, Makoto Takase and Sotaro Ito
Co-produced by Kitakyusu Performing Arts Center, Japan and Sankai Juku
Accessibility
Assistive Listening
Amagatsu was the leader of Sankai Juku and the one who spoke on behalf of the company for 49 years since its founding. When he was diagnosed with cancer six years ago, he was no longer able to accompany the group on extended tours. In addition, the COVID-19 pandemic hit which also restricted our activities. Despite all this, he worked on the re-creation of UNETSU and presented both the collage work KŌSA, and his last work, TOTEM – Void and Height, thereby establishing a new form of Sankai Juku, one where he did not appear as a performer. It was just a week before he passed that I exchanged email messages with him regarding the tour in May. I believe he embarked on a new journey peacefully in his home.
Although TOTEM is highly acclaimed in Japan, this is the first time we will perform it overseas. Eventually, we plan to bring TOTEM to Europe and the United States. I sense many Singaporean audiences have a global perspective despite being in the heart of Asia. We will also have a workshop in Singapore, and I look forward to making new discoveries and gaining new perspectives while presenting butoh of Sankai Juku.
Amagatsu was the leader of Sankai Juku and the one who spoke on behalf of the company for 49 years since its founding. When he was diagnosed with cancer six years ago, he was no longer able to accompany the group on extended tours. In addition, the COVID-19 pandemic hit which also restricted our activities. Despite all this, he worked on the re-creation of UNETSU and presented both the collage work KŌSA, and his last work, TOTEM – Void and Height, thereby establishing a new form of Sankai Juku, one where he did not appear as a performer. It was just a week before he passed that I exchanged email messages with him regarding the tour in May. I believe he embarked on a new journey peacefully in his home.
Although TOTEM is highly acclaimed in Japan, this is the first time we will perform it overseas. Eventually, we plan to bring TOTEM to Europe and the United States. I sense many Singaporean audiences have a global perspective despite being in the heart of Asia. We will also have a workshop in Singapore, and I look forward to making new discoveries and gaining new perspectives while presenting butoh of Sankai Juku.
Ushio Amagatsu
Born in Yokosuka, Japan in 1949, Ushio Amagatsu founded the butoh company Sankai Juku in 1975.
He created Amagatsu Sho (1977), Kinkan Shonen (1978) and Sholiba (1979) before embarking on his first world tour in 1980. He started working and creating in France in 1981, particularly at the Théâtre de la Ville in Paris. That same year, he created Bakki for the Festival d'Avignon. With Théâtre de la Ville, Paris, he has created and co-produced 16 productions since 1982.
Amagatsu also worked independently outside Sankai Juku. In 1988, he created Fushi on the invitation of Jacob’s Pillow Foundation (USA), with music by Philip Glass. In 1989, he was appointed Artistic Director of the Spiral Hall in Tokyo where he directed Apocalypse (1989), and Fifth-V (1990).
In February 1997, he directed the opera Bluebeard's Castle by Bartok conducted by Peter Eötvos at the Tokyo International Forum. In March 1998 at Opéra National de Lyon, France, he directed the world premiere of Peter Eötvos’s opera Three Sisters, which received the Prix du Syndicat National de la Critique Award in France. Three Sisters has been staged for the 2001–2002 season at Théâtre du Chatelet in Paris, Théâtre Royal de la Monnaie in Brussels, at Opéra National de Lyon, and at Wiener Festwochen, Austria, in 2002.
In March 2008, Amagatsu directed another opera by Peter Eötvos, Lady Sarashina, which premiered at Opéra National de Lyon and received the Prix du Syndicat National de la Critique, France. It was later staged in Opera Comique in February 2009 and in Teatr Wielki, Polish National Opera, Warsaw in April 2013.
Amagatsu has also presided on the jury of International Choreographic Competition of National Academy of Dance, Italy (2011), the Jury of the Toyota Choreography award (2002–2005) and the Jury of the International Meeting of Dance of Bagnolet (1992).
Awards and merits received include: Commandeur de l’ordre des Arts et des Lettres by French Cultural Ministry (2014), the Purple-Ribbon Medal by the Japanese government (2011), Geijyutsu Sensho Prize (Art Encouragement Prize) by the Minister of Education, Culture, Sports, Science, and Technology (2004) and Chevalier de l'ordre des Arts et des Letters by French Cultural Ministry (1992). The work HIBIKI received the 26th Laurence Olivier Awards (UK) for Best New Dance Production (2002).
Amagatsu passed in March 2024 at the age of 74.
Sankai Juku
Website | Facebook | Instagram
Sankai Juku is a butoh dance company founded by the director and choreographer Ushio Amagatsu in 1975.
Since 1982, Sankai Juku has premiered a new work approximately once every two years, 17 of which were commissioned by Théâtre de la Ville, Paris. Sankai Juku has performed in 47 countries and visited more than 700 cities in the world.
Assistive Listening
Assistive listening system is available for this venue. Hearing aid users with a Telecoil-enabled programme can benefit from the system provided. Please arrive at the venue 30 min before the performance so we can assist with the setup.
Assistive Listening
4 Oct 2024, Fri
7.30pm
5 Oct 2024, Sat
7.30pm
6 Oct 2024, Sun
3pm
Standard | Students, NSFs & Seniors |
PWD | |
Cat 1 | $65 | $52 | $36 |
Cat 2 | $45 | $36 | $36 |
Standard Ticket
Concession Ticket
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All Secondary Schools, Junior Colleges/ Centralised Institute & ITEs may use the Tote Board Arts Grant to subsidise up to 50% of the programme cost.
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