Now in his final year, Dominic believes he has benefited from his university education, particularly the application of business models taught in class to his entrepreneurial ventures in Parka. His second major in Arts Management also opened doors for collaboration with local arts companies.
Crucibles for passion and experimentation
Nanyang Institute of Education (NIE) music professor Dr Larry Francis Hilarian is heartened by these success stories, but would love to see more growth going forward.
He observes that students are more inclined toward fields that promise stable incomes in Singapore's competitive society, making it challenging for the music industry to thrive.
"Singapore has one of the most modern and enterprising music programmes for students. Our schools have very well-trained music teachers,” says Dr Larry. But, he adds, while the necessary resources are already in place, there remains a crucial need for deeper societal appreciation of music.
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"Singapore has one of the most modern and enterprising music programmes for students. Our schools have very well-trained music teachers,” Dr Larry affirms. While the necessary resources are already in place, there remains a crucial need for deeper societal appreciation of music.
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Though many schools boast robust music programmes, he hopes for more initiatives to foster a love for music amongst students. “It is encouraging when students discover their passion for music through my programmes. I urge them to continue this passion even beyond my classes,” he adds.
Moving ahead, Dr Larry highlights the importance of collaboration in music. “Music has no boundaries, it is communal, something to be made with other people and enjoyed together,” he says. Additionally, he hopes that Singaporeans will pay closer attention to local music and recognise the relentless dedication of musicians.
As Faseeh and Dominic continue their journeys, their aspirations extend beyond personal success.
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Faseeh hopes to see more low-stakes campus initiatives where musicians can experiment with their craft without the pressures of the commercial music industry. Such endeavours not only foster creativity but also create a sense of belonging for student musicians.
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As for Dominic, he envisions a future where musicians can sustain themselves without undue financial burden. He seeks greater support for the local music scene, acknowledging that many initiatives thus far have not been sustainable. He also calls upon fellow Singaporeans to embrace homegrown talent and cultivate an organic appreciation for local music.
Faseeh and Dominic’s stories extend beyond the realm of individual aspirations; they reflect a collective yearning for music to resonate within society. Meanwhile, although Dr Larry is confident of the infrastructure schools have in place, he points to a lack of societal awareness and empathy towards musicians as bigger issues to address.
All in all, it must be a collective effort to nurture musical innovation among youths. These three stories remind us that music has the power to unite, transcend and enrich. It is a melody that resonates within us, and by forging a deeper connection with our local music scene, we can ensure that this symphony of creativity will thrive for generations to come.
