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22 Feb 2026, Sun, 4pm
(Intermission: 1 x 15mins)
Esplanade Recital Studio
Pianist See Ning Hui returns with ReSounding 重生(声), part of a series featuring Fanny Mendelssohn’s Easter Sonata. Written in 1828—before the Mendelssohn siblings revived Bach’s St Matthew Passion and transformed classical music—the Sonata was buried in the archives and misattributed to Felix until its rediscovery in 2010. Following concerts in London and Manila, where critic Yoko Tsunekawa noted her ‘rich palette of colours and expressive phrasing’, Ning Hui brings the Sonata into dialogue with voices from home.
Two Singaporean composers offer striking new soundworlds: Ng Yu Hng’s ‘memory mansion’ and Toh Yan Ee’s evocation of kampung birdsong in HDB estates. Sunlit hills and the raging West Wind come alive in Debussy’s preludes, while Florence Price’s celebration of her African-American identity resonates with Chopin’s undertones of Polish insurrection.
PROGRAMME
Claude Debussy Preludes ‘Ce qu'a vu le vent d'ouest’, ‘Les collines d'Anacapri’
Ng Yu Hng ‘The Memory Mansion at the End of Time’
Fanny Mendelssohn Ostersonate
***
Frédéric Chopin Fantasie in F minor, Op. 49
Toh Yan Ee ‘Within a Cage of Echoes’ (commission)*
Florence Price Fantasie nègre No. 2**
*world premiere
**Singapore premiere
This recital is made possible with the kind support of the de Leóns.
See Ning Hui
See Ning Hui is a pianist recognised for her ‘refined touch, voluminous sound and all-rounded musical personality’ (The Straits Times). She has given solo recitals throughout the UK, including Steinway Hall, St James’s Piccadilly, St Martin-in-the-Fields, Austrian Cultural Forum, and the Leeds International Concert Series. Chamber music engagements include the Victoria & Albert Museum in London and the SSO Chamber Series at Victoria Concert Hall. Ning Hui has also performed in France, Belgium, Italy, Hungary, Sweden, and the Harris Hall at Aspen, Colorado.
Described as an ‘ideal advocate’ of Clara Schumann’s Sonata, Ning Hui gave the work its Singapore premiere in 2018. Her approach to the interpretation of music by underrepresented composers has been noted for ‘[an] intellectual nous that is all too rare among artists’. She attained her BMus, MMus, and PhD at the Royal College of Music London, where she won the Esther Fisher Prize for best undergraduate at the Chappell Gold Medal.
22 Feb 2026, Sun
4pm
| Standard | |
| Cat 1 | $50 |
| Cat 2 | $40 |
| Cat 3 | $35 |
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