Choy Weng Yang was an artist, curator, arts writer, and educator, and one of the foremost abstract painters of post-independence Singapore. A second-generation artist, Choy has been a prominent influence on the contemporary art scene.

Born in 1936 in Singapore, Choy Weng Yang studied art in Raffles Institution, but only began to take art seriously later on when he was awarded a scholarship and attended the Hornsey College of Art in London, UK, in the ‘60s, majoring in painting. From there, he went on to the University of London Institute of Education where he graduated with an Art Teachers’ Certificate.

Choy’s years in London were beneficial to his growth as an artist as, outside of learning about art in college, he studied prominent art works—in their original form—in the permanent collections of the National Gallery and the Tate. He travelled around Europe to survey and research on the permanent collections of leading art museums in Paris, Milan, Amsterdam and Oslo. This exposure to the modern art of the time would be seen in his artistic output later on in life, showing universal qualities and experimentations in transient light and colour interaction.

When Choy returned to Singapore in 1963 after his time in London, he married art with his other great passion—teaching—and joined the Teachers’ Training College as assistant lecturer in the Arts & Crafts Department. During this time, he continued to paint and exhibited at the Adelaide Festival of Arts in Australia in 1972 and the inaugural exhibition of National Museum of Singapore Art Gallery in 1976. He also exhibited at several other group exhibitions.

In 1973, Choy was awarded a UNESCO fellowship for the creative arts and toured USA extensively. He surveyed and researched the permanent art collections of the Museum of Modern Art, the Guggenheim Museum, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Los Angeles County Museum. He also experimented with environmental abstract sculpture at the Massachusetts Institute of Technology Center for Advance Visual Studies under the mentorship of Professor Gyorgy Kepes. He also visited the studio of Josef Albers, a renowned German artist from the Bauhaus noted for his theories on colour interactions.

In 1978, Choy was appointed as a curator of art at the National Museum of Singapore, where he contributed to the design of the National Museum Art Gallery and graphic designs for the art exhibitions. As curator, Choy was responsible for the presentation in the National Museum Art Gallery in the '80s of the Singapore Pioneer Artists' Series of four exhibitions and a number of international exhibitions, including the Zao Wou-Ki solo exhibition, Paul Klee solo exhibition, Zhang Daqian solo exhibition, Henri Cartier-Bresson solo exhibition and the Modern German Sculptures exhibition. He remained in this position until 1985 when he retired to devote himself to his painting practice.

In 1979, he toured India on the invitation of the government of India, and he was invited by the government of France in 1985 for an extensive cultural tour of France. While in France, Choy visited the studio of notable Chinese artist Zao Wou-Ki, known for his abstract paintings. He also studied the modern art collection at the Pompidou Centre and the Maeght Art Collection at the Maeght Foundation in the south of France.

Inspired by what he had seen, what he had studied since the ‘60s, Choy was moved to employ the visual language of Western art in its quest for modernism. In consequence, universal elements built the mental framework for his art. As a result, he was described as an avant-garde artist, alongside those in his generation who worked with similar concepts in abstract art, especially those who had gone abroad to study in a Western institution of art and returned to Singapore.

Colour was a point of investigation for Choy. His early works were arrangements of bands of colour to evoke its enigmatic visual qualities of colour interactions. Perpetually evolving, Choy’s paint works are characterised by a number of distinct phases of transition through impressionism, abstraction, colour interaction and abstract impressionism. Choy finds inspiration in the works of Monet, Cezanne, Mondrian and Albers.

Choy participated in many exhibitions in Singapore, and held his solo show in 2000. He also wrote for several publications and monographs, and was contributing writer for Singapore Artists, published by the Ministry of Culture in 1982 for the National Day Art Exhibition. Choy has written widely for the Singapore’s second-generation artists such as Thomas Yeo, Teo Eng Seng, and Anthony Poon, and also contributed to monographs of artists such as Lim Yew Kuan, Ho Chee Lik and Henry Chen KeZhan.

Choy passed away in Singapore on 7 Aug 2025 at the age of 95.