Lee Hock Moh
Jaafar Latiff
Iskandar Jalil
Ho Ho Ying
Han Sai Por
Anthony Poon
Goh Beng Kwan
Ang Ah Tee
Georgette Chen Liying
Foo Tee Jun
Amanda Heng
Khor Ean Ghee
Foo Chee San
David Tay
Chua Mia Tee
Chua Ek Kay
Choy Weng Yang
Constance Sheares
Chong Fah Cheong
T. K. Sabapathy
Sim Tong Khern
Chng Seok Tin
Lim Hak Tai
Laurence Koh Boon Piang
Chia Wai Hon
Joseph McNally
Sun Yu-li
Sarkasi Said
Pan Shou
Ong Kim Seng
Cheong Soo Pieng
Ng Eng Teng
Milenko Prvacki
Chen Wen Hsi
Loh Khee Yew
Liu Kang
Lim Yew Kuan
Lim Tze Peng
Chen Chong Swee
Lee Sow Lim
Yip Cheong Fun
Yeo Hoe Koon
Wu Peng Seng
Wee Beng Chong
Wang Sui Pick
Thomas Yeo
Teo Eng Seng
Tay Chee Toh
Tay Boon Pin
Tan Swie Hian
Tan Siah Kwee
Tan Lip Seng
Tan Kian Por
Tan Khim Ser
Della Butcher
Earl Lu
TributeSG
Wang Sui Pick
Scholar, educator and chinese calligrapher.
“When there is only brush and ink in your mind, you are the universe.”
Wang Sui Pick was a significant scholar, educator and chinese calligrapher who is regarded, together with Pan Shou, as a “National Treasure” of the Singapore art scene. Renowned for his unique style of finger calligraphy utilising the cao shu cursive style, he was a generous artist who served as a judge for national Chinese calligraphy competitions and donated significant portions of his work to various museums in China and Singapore. In 1992, he received the Cultural Medallion for his contributions to visual arts in Singapore.
Born in 1904 in Anxi, China, Wang Sui Pick developed an interest in Chinese calligraphy from a young age that would become a lifelong passion. He practised calligraphy on his own, influenced by renowned calligrapher Huai Su’s cursive calligraphic style.
In 1925, he moved back to China to attend Xiamen University. There, he practised and developed his unique style of finger calligraphy that he would become renowned for later in his career as a Chinese calligrapher. However, he put aside his pursuit of Chinese calligraphy when he graduated and focused on his career as an educator.
He taught for 16 years at various schools in Fujian, China before returning to Singapore to continue his teaching career as a teacher at Nanyang Girls’ High School. He then served as principal of Chong Hwa High School in Kluang and then Chong Hwa Independent High School in Kuala Lumpur, Malaysia before eventually retiring from teaching in 1970.
Wang began to devote his time to his art and spent the next decade quietly and diligently practising and developing his finger calligraphy. In 1980, he joined the San Yi Finger Painting Society and the Chinese Calligraphy Society of Singapore, whose president, Singapore Chinese calligrapher Tan Siah Kwee, would become one of Wang’s biggest supporters.
With the encouragement of Tan, Wang exhibited his calligraphic works the following year in a solo exhibition organised by the Chinese Calligraphy Society of Singapore. By then, he had already become a recognised and acclaimed master of Chinese calligraphy. That year, he also started judging national Chinese calligraphy competitions organised by the Chinese Calligraphy Society of Singapore and the then Ministry of Culture. He also became a part-time lecturer of the Running Style Course at the National University of Singapore’s Extramural Studies Department and conducted Chinese calligraphy demonstrations in various schools and community centres.
He went on to hold three more solo exhibitions, including a solo exhibition in his hometown of Anxi and Amoy in China. In total, five books of his calligraphy were published over the next three decades. A generous artist, Wang donated works from his exhibitions to the Anxi Musem, the National Museum Art Gallery, the National Art Museum and the Chinese Calligraphy Society of Singapore.
In 1992, Wang received the Cultural Medallion for his contributions to visual arts in Singapore.
In 1998, Wang passed away at age 94 in Singapore. He remains, together with fellow Singapore pioneering artist and Chinese calligrapher Pan Shou, to be regarded as a “National Treasure” of the Singapore art scene.
Timeline
1904
Born in Anxi, Fujian, China.
1917
Graduated from elementary school, Anxi County, China.
1921
Graduate from high school ShiSan ZhongXue, Amoy, China.
Teacher, Jintao Primary School, Fujian Province, China
Moved to Singapore.
1922
Teacher, Commercial and Industrial Primary School, Singapore.
1922 to 1923
Principal, Gong He Primary School, Kluang, Malaya.
1924
Principal, Chong De Primary School, Kelantan, Malaya.
1925
Returned to China.
1925 to 1930
Attended Xiamen University, China. Graduated with a law degree.
1931
Principal, Chongde Secondary School, Anxi, Fujian, China.
1932 to 1942
Held various positions in Chip Bee School, Fujian, China, including Head of Department, Discipline Master, Head of Library and Principal.
1943
Principal, Anxi County Secondary School, China.
1954 to 1959
Teacher, Nanyang Girls’ High School.
1956
Moved to Singapore.
1961 to 1966
Principal, Chong Hwa High School, Kluang, Malaya.
1967 to 1970
Principal, Chong Hwa Independent High School, Kuala Lumpur, Malaysia.
1977 to 1998
Advisor, Tai Guan Ong Clan Association.
1980 to 1998
Advisor, Chinese Calligraphy Society of Singapore.
Advisor, San Yi Finger Painting Society.
1981
Solo exhibition, Singapore. Organised by Chinese Calligraphy Society of Singapore.
1982
Part-time lecturer, Running Style Course. Organised by National University of Singapore’s Extramural Studies Department and Chinese Calligraphy Society of Singapore.
Judge, National Calligraphy Competition, organised by Chinese Calligraphy Society of Singapore and Sin Chew Jit Poh.
Judge, National Calligraphy Competition, organised by Chinese Calligraphy Society of Singapore and Braddell Heights.
Judge, National Day Art Exhibition (Calligraphy and Seal Carving), Ministry of Culture.
1983
Finger Calligraphy collection《王瑞璧指墨》 published by Chinese Calligraphy Society of Singapore.
1983 to 1994
Judge, National Hui Chun Calligraphy Competition. Organised by Chinese Calligraphy Society of Singapore.
1985
Calligraphy collection《王瑞璧笔艺》 published by Chinese Calligraphy Society of Singapore.
1987
Solo exhibition, Anxi and Amoy, China.
1988
Solo exhibition organised by Chinese Calligraphy Society of Singapore.
1991
Consultant, Singapore Anxi Huay Kwan.
Solo exhibition, Anxi Museum, China. Donated 100 art works to Anxi Museum.
1992
Received Cultural Medallion for contributions to visual arts in Singapore.
1993
Solo exhibition 《王瑞璧九十书法展》, organised by Chinese Calligraphy Society of Singapore and National Museum. Donated 31 art works to the National Museum Art Gallery.
1994
Calligraphy collection《王瑞璧先生墨宝集》published by Anxi Museum, China.
1996
Published finger calligraphy collection《王瑞璧指书(三集)》.
Donated 5 art works to National Art Museum
Donated 40 art works to Chinese Calligraphy Society of Singapore.
1997
Solo exhibition, Singapore. Organised by Chinese Calligraphic of Singapore.
1998
Passed away at age 94 in Singapore.
Image Gallery

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TributeSG celebrates the arts community’s most senior members, and those who have made a lifetime of contribution to the arts. These artists, administrators, educators, patrons, and champions include many Singapore arts pioneers who laid the foundations of the vibrant arts and cultural scene we enjoy today. The many profiles in TributeSG let us into the minds and worlds of these pioneers, and help us understand our shared arts heritage. When we revisit their works and rediscover their journeys, we learn where we came from and how we came to be. Collectively, their stories tell the tale of the making of a nation’s artistic identity.
In putting together this collection, the TributeSG team consulted an external advisory panel, consisting of Arun Mahiznan, Choo Thiam Siew, J. P. Nathan, K. K. Seet, Kwok Kian Chow, and Iskandar Ismail. Those selected to be profiled in TributeSG met one of the following criteria: they were at least 60 years of age as of 12 Oct 2016, or deceased, or had received national recognition in the form of the Cultural Medallion. This journey of arts archival officially came to a close on 12 Oct 2016, after four years of extensive research, interviews and collation of information graciously provided by the TributeSG pioneers, their families and peers. TributeSG also benefited from enthusiastic help from like-minded friends and organisations who supported Esplanade’s cause—to remember, honour and celebrate Singapore’s arts pioneers.
