Going onstage (www.esplanade.com).

Music Theatre

Toh Weng Cheong

Lawyer and pioneer in the field of opera.


Published: 12 Oct 2016

Time taken : ~10mins

As a cosmopolitan city, we deserve to have an opera scene in Singapore.

Arts lover and lawyer Toh Weng Cheong is a pioneer in the field of opera in Singapore. As Chairman of the Singapore Lyric Opera since 2005, a company which he co-founded in the 1990 with Leow Siak Fah, Choo Hwee Lim and Lim Yau, he has been responsible for bringing the art form to the wider audience in Singapore, and building a bona fide scene for the genre over the past 30 years. Major productions Toh has helped produce to date include Puccini’s Turandot (2008), La Boheme (2011) and Manon Lescaut (2012), and Strauss’ Der Rosenkavalier (2009) and Salome (2011).

Born in Selangor, Malaysia, in 1940, Toh’s first experience of the stage came in secondary school where he performed minor parts in school Shakespeare productions. His first taste of opera began at home when a British neighbour, who was returning to the UK, passed on his opera record collection to Toh as a gift, sparking his interest in opera music.

In 1960, Toh enrolled to study law at the University of Singapore (now National University of Singapore). During his freshman year, he shared a room with an aspiring tenor, who had landed the lead role in the Music Society’s production of Purcell’s Dido and Aeneas. Toh’s roommate rehearsed arias in their shared room, giving Toh an up-close experience of operatic singing. Intrigued, the budding lawyer volunteered as a crew member for Dido and Aeneas. This fired his passion for opera, and he went on to volunteer for more productions, gradually learning how to produce an opera.

In the late ’60s, Toh went to Kuala Lumpur, Malaysia, to watch a production of The Student Prince, which starred Leow Siak Fah. The pair met, becoming comrades in their love and passion for opera. They would go on to produce—and in Leow’s case, perform in—many operas in the region.

In 1985, the duo, together with Choo Hwee Lim and Lim Yau, staged their first opera production Die Fliedermaus, and went on to produce a production every year for the next five years. In 1990, they established the Singapore Lyric Theatre (now known as the Singapore Lyric Opera), Singapore’s first performing arts organisation dedicated to Western opera, and put up their first official production, Die Zauberflöte (The Magic Flute), in 1991. Toh managed fundraising events and helped out in administrative and front-of-house duties, and also chipped in backstage as part of the crew.

Since then, Toh and the Singapore Lyric Opera (SLO) have become known for their philosophy of supporting and nurturing Singaporean talent as well as their high performance standards. Believing in creating opportunities for Singaporean singers to perform on stage, Toh and his directors have contributed immensely to the growth of the opera scene and talent in Singapore, such that SLO now boasts its own chorus and orchestra that are indispensable in its productions. Supplementary to these but equally as important, SLO also nurtures the younger generations of opera enthusiasts through its youth and children’s choirs.

Toh and his directors and supporters see their work with the SLO as a labour of love, aiming only to put up quality opera productions as they see a need for a cosmopolitan city such as Singapore to have a respectable opera company. With the efforts of SLO, the opera-going audience in Singapore has grown in size and also across ages, and are also more knowledgeable and savvy.

In 2005, Toh became chairman of the Singapore Lyric Opera. The same year, SLO had its first sold-out show—Puccini’s Madama Butterfly—at the Esplanade Theatre. As testament to SLO’s efforts and to the progress Western opera has made in Singapore, Madama Butterfly sold out its entire run.

Besides devoting his time to opera, Toh is actively involved in Singapore’s legal scene and the world of volunteerism, and has received awards for his contributions for his public service. Toh is currently also a practising lawyer at Low Yeap Toh & Goon, a Justice of Peace, and chairman of the Criminal Law Review Board as well as that of the Citizenship Committee of Inquiry. In 2010, he was conferred the 25-year Long Service Award by the Ministry of Home Affairs for his service to the Citizenship Committee of Inquiry.

Singapore Lyric Opera


27 Sep 1940

Born in Selangor, Malaysia.

1947 to 1957

Attended Methodist Boys’ School, Kuala Lumpur, Malaysia.

1958 to 1959

Attended Victoria Institution, Kuala Lumpur, Malaysia.

1960 to 1965

Attended University of Singapore (now National University of Singapore), graduated with Bachelor of Laws (Hons).

1965 to 1968

Coroner, Magistrate, State Counsel and Deputy Public Prosecutor, Singapore Legal and Judicial Service.

1967 to 1979

Lieutenant, People’s Defence Force (Volunteer).

1974 to 1994

Judge Advocate, Singapore Armed Forces.


Received the Singapore Armed Forces Good Service Medal.

1985 to Present

Chairman, the Citizenship Committee of Inquiry.


Received Pingat Bakti Masyarakat (Public Service Medal).


Co-founder, Singapore Lyric Theatre (now Singapore Lyric Opera), with Leow Siak Fah, Choo Hwee Lim and Lim Yau.


Received Bintang Bakti Masyarakat (Public Service Star).
Singapore Lyric Opera stages its inaugural production Die Zauberflöte (The Magic Flute) at the Victoria Theatre.

1992 to Present

Partner, Low Yeap Toh & Goon.

1994 to Present

Member, Board of Visiting Justices.

1994 to 2006

Member, Military Court of Appeal, Singapore Armed Forces.

1994 to Present

Justice of the Peace.

1996 to Present

Referee, Small Claims Tribunal.

1996 to 2002

Member, Maintenance of Parents Tribunal.

1999 to Present

Vice-chairman, Moral Home for Disabled Adults.


Received Bintang Bakti Masyarakat (Lintang) (Public Service Star [Bar]).

2004 to 2010

Member, Maintenance of Parents Tribunal.

2005 to Present

Chairman, Singapore Lyric Opera.


Vice-Chairman, The Arts Consultative Panel.
Chairman, Criminal Law Review Board.


Published Building Social Space in Singapore.

2008 to Present

Magistrate, Subordinate Courts.


Received the 40-year Long Service Award, Criminal Law Advisory Committee (Review).
Received the 15-year Long Service Award, Board of Visiting Justices and Board of Inspection.


Received the 25-year Long Service Award, Citizenship Committee of Inquiry, Ministry of Home Affairs.


TributeSG celebrates the arts community’s most senior members, and those who have made a lifetime of contribution to the arts. These artists, administrators, educators, patrons, and champions include many Singapore arts pioneers who laid the foundations of the vibrant arts and cultural scene we enjoy today. The many profiles in TributeSG let us into the minds and worlds of these pioneers, and help us understand our shared arts heritage. When we revisit their works and rediscover their journeys, we learn where we came from and how we came to be. Collectively, their stories tell the tale of the making of a nation’s artistic identity.

In putting together this collection, the TributeSG team consulted an external advisory panel, consisting of Arun Mahiznan, Choo Thiam Siew, J. P. Nathan, K. K. Seet, Kwok Kian Chow, and Iskandar Ismail. Those selected to be profiled in TributeSG met one of the following criteria: they were at least 60 years of age as of 12 Oct 2016, or deceased, or had received national recognition in the form of the Cultural Medallion. This journey of arts archival officially came to a close on 12 Oct 2016, after four years of extensive research, interviews and collation of information graciously provided by the TributeSG pioneers, their families and peers. TributeSG also benefited from enthusiastic help from like-minded friends and organisations who supported Esplanade’s cause—to remember, honour and celebrate Singapore’s arts pioneers.

You have 3 out of 3 articles left this month. Create a free Esplanade&Me account or sign in to continue. SIGN UP / LOG IN