


An introduction to the stringed instrument and its music in Singapore
As early as the 9th century, Persian and Arab Muslim traders and missionaries brought the barbat, qanbus and oud to the Malay Archipelago. The presence of these instruments led to a long history of the oud or more commonly known as the gambus, within traditional Malay music. Read on to trace the evolution of the stringed instrument until it was brought over to the Malay Archipelago.

Zubir Abdullah shares about his incredible journey with the gambus. Not only is he a full-time composer, he is also a producer and an arts ambassador who has been practising and promoting traditional Malay music for over 30 years.
This video is produced by Malay Heritage Centre (MHC) as part of the Intangible Cultural Heritage conversation series which shines a spotlight on the remarkable talents who shape our cultural landscape. Reproduced with permission from MHC.
The gambus is the lead melodic instrument in the Malay musical forms, zapin and ghazal. The gambus is also used in these performing arts forms in the Malay world: tarian hamdolok, masri, inang and orkes gambus (gambus orchestra).

Listen to Seni Ibunda by the Singapore Hadrah and Kompang Association. This song is played on the kompang.
How is a Gambus Arab played? Why is it fretless? What is a maqam and why is it important to a gambus musician to learn the different maqams? Read on.
Zapin not only refers to the music style but it also refers to the dance form that the music accompanies. Zapin consists of three sections: the taksim, the main dance and the wainab. Usually, zapin performances begin with the taksim, a gambus solo. The gambus is played improvisationally for the taksim. Zapin music is moderately fast with an upbeat tempo. Watch how a gambus musician puts together all the elements of playing the instrument to play a taksim zapin.
Find out about the people that have and are still playing a big part in furthering gambus music in Singapore.

Of Passion and Expression, Azrin Abdullah’s original composition with the gambus that was first created between 2003-2004.
Gambus Elektronica, a contemporary musical collaboration between Azrin Abdullah and Safuan Johari.
Other than these Singaporean artists and group, find out about two artists from Malaysia who are changing the sound and look of the gambus.
1. Zapin Telok Blangah by Zubir Abdullah
2. Zapin Gemersik Ombak by Sri Mahligai
3. Pantun Budi by S.M. Salim