MFO × DJ Koflow

The Show Goes Online

>15mins

Orchestra of the Music Makers (2018)

>15mins

Raghajazz (2015)

>15mins

HAYA Band (2017)

>15mins

WONK (2017)

>15mins

Swarhythm Ensemble (2019)

~10mins

Chok Kerong’s Pitch (2019)

>15mins

Ding Yi Music Company (2018)

>15mins

Jeremy Monteiro (2019)

>15mins

Guitar Prasanna Trio (2019)

~10mins

MFO × DJ Koflow

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Published: 20 Mar 2020

Updated: 27 Nov 2025

Time taken: ~10mins

The Show Goes Online

MFO × DJ Koflow

Spinning new classics

Music

Family & Children

20 Mar 2020

27 Nov 2025

~10mins

“(Korngold’s) studio work enriched his
symphonic output. No work illustrates this
more clearly than the Violin Concerto, all
three of whose movements draw on themes
from films produced between 1937 and
1939.”

Hugh Macdonald, musicologist

KoFlow-MFO: A Turntable-Orchestra Programme Student Guide

PDF • 1.05 MB

The Show Goes On…line

MFO × DJ KoFlow

Remind yourself just how badass Beethoven can be as the world celebrates his 250th birthday in 2020. This rockin’ rendition of the composer’s much-loved Fifth Symphony performed by the Metropolitan Festival Orchestra (MFO), conducted by Music Director Julian Wong, and featuring turntablist DJ KoFlow, will help you rediscover why Beethoven was the world’s very first rock star!

A genre-defying musical adventure that fused pop culture and electronic music with a symphony orchestra, A Turntable-Orchestra Programme was performed live at Esplanade Concert Hall on 24 May 2017.

Educators, if you are looking to introduce your students to Beethoven's Fifth Symphony or turntabling, download the student guide below that was produced as part of KoFlow-MFO: A Turntable-Orchestra Programme.

A genre-defying musical adventure that fused pop culture and electronic music with a symphony orchestra, A Turntable-Orchestra Programme was performed live at Esplanade Concert Hall on 24 May 2017.

About The Metropolitan Festival Orchestra (MFO) and Julian Wong

The Metropolitan Festival Orchestra (MFO) is Singapore's only fully independent professional symphony orchestra. Practicing the philosophy that the orchestra is a powerful tool for bringing people together, it has collaborated with international artists such as Tan Dun, Lang Lang, Kitaro, Il Divo, Stefanie Sun, JJ Lin and Korea National Opera.

Julian Wong's work as a music director has encompassed concerts, arts festivals, theatre, and studio production. As a guest arranger and conductor, he has worked with Joyful Strings, Ministry of Bellz, Rave Harps, Orchestra of the Music Makers, and Metropolitan Festival Orchestra.

About DJ KoFlow

About The Show Goes On...line

The show must go on and for Offstage, it goes on...line. Specially culled from Esplanade's archives, this series of performances by leading acts in Singapore and Asia was first released in 2020 at the height of the pandemic, with the aim to nourish souls and sate audience's appetites for the arts during trying times.

Orchestra of the Music Makers (2018)

Raghajazz (2015)

HAYA Band (2017)

WONK (2017)

Swarhythm Ensemble (2019)

Chok Kerong’s Pitch (2019)

Ding Yi Music Company (2018)

Jeremy Monteiro (2019)

Guitar Prasanna Trio (2019)

MFO × DJ Koflow

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The Show Goes Online

MFO × DJ Koflow

“(Korngold’s) studio work enriched his symphonic output. No work illustrates this more clearly than the Violin Concerto, all three of whose movements draw on themes from films produced between 1937 and 1939.”

The Show Goes On…line

MFO × DJ KoFlow

About The Show Goes On...line

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Orchestra of the Music Makers (2018)

Raghajazz (2015)

HAYA Band (2017)

WONK (2017)

Swarhythm Ensemble (2019)

Chok Kerong’s Pitch (2019)

Ding Yi Music Company (2018)

Jeremy Monteiro (2019)

Guitar Prasanna Trio (2019)

MFO × DJ Koflow

The Show Goes Online

MFO × DJ Koflow

“(Korngold’s) studio work enriched his symphonic output. No work illustrates this more clearly than the Violin Concerto, all three of whose movements draw on themes from films produced between 1937 and 1939.”

The Show Goes On…line

MFO × DJ KoFlow

About The Show Goes On...line

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“(Korngold’s) studio work enriched his
symphonic output. No work illustrates this
more clearly than the Violin Concerto, all
three of whose movements draw on themes
from films produced between 1937 and
1939.”

“(Korngold’s) studio work enriched his
symphonic output. No work illustrates this
more clearly than the Violin Concerto, all
three of whose movements draw on themes
from films produced between 1937 and
1939.”